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   Flatpicking Guitar

The simplest, and most general, answer to that query is the fact that "flatpicking" may be the approach http://fut4host.com/japan/paulsmith/ of playing a guitar using a miumiu &#20844;&#24335;&#12469;&#12452;&#12488; flat pick &#12503;&#12521;&#12480; &#12496;&#12483;&#12464; &#12471;&#12519;&#12523;&#12480;&#12540; &#12513;&#12531;&#12474; (or flat plectrum) versus the use of bare fingers, finger picks, or possibly a thumb pick. When asked about why a guitarist would desire to &#12503;&#12521;&#12480; &#12496;&#12483;&#12464; &#12471;&#12519;&#12523;&#12480;&#12540; &#12513;&#12531;&#12474; use a single flat plectrum versus a number of fingerpicks, a thumbpick, or bare fingers, Dan Crary put it best in an short article written for Frets Magazine (June 1985) by saying, "The answer appears &#12469;&#12510;&#12531;&#12469;&#12479;&#12496;&#12469; &#12461;&#12540;&#12465;&#12540;&#12473; &#12495;&#12540;&#12488; to become that the plectruma very simple piece of plastic, or nylon, or tortoiseshell, or whatever miu miu &#36001;&#24067; &#12473;&#12479;&#12483;&#12474; material a player holds dear sufficient to hold in his fingersis capable of bringing some thing out of a steelstring guitar that absolutely nothing &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#36001;&#24067; &#12513;&#12531;&#12474; else can."

Traditionally in America, from the http://98soft.net/japan/samantha/ 1800s by way of &#12469;&#12510;&#12531;&#12469;&#12479;&#12496;&#12469; &#36001;&#24067; &#26032;&#20316; the 1930s, the guitar was primarily miumiu &#12496;&#12483;&#12464; &#26032;&#20316; implemented as a rhythm instrument. As significantly more and much more guitar players began to play lead breaks around the guitar all through the 1940s and 50s, two key styles emerged"fingerstyle" and "flatpicking." The term "flatpicking" originated with early lead acoustic guitar players in conventional nation and bluegrass music who utilized a plectrum to play the guitar. The plectrum of selection was named a "flat pick" or "straight choose." They devised the "flatpick" term so that you can distinguish their strategy from "fingerstyle" players who employed finger picks, thumb picks, or bare fingers to choose the guitar's strings (similar to Merle Travis, Chet Atkins, Maybelle Carter, Lester Flatt, Carter Stanley, Edd Mayfield, and other folks). we usually do not cover any electric guitar music or nylon string guitar music).

With these parameters in thoughts, we are able to http://fut4host.com/japan/prada/ now loosely define "flatpicking" as a technique for playing the acoustic steelstringed guitar with a flat pick. Even though &#12469;&#12510;&#12531;&#12469;&#12479;&#12496;&#12469; &#12475;&#12540;&#12523; 2013 the term is most more often than not used in bluegrass circles, the genres of music that are &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#12496;&#12483;&#12464; &#12513;&#12531;&#12474; &#12508;&#12473;&#12488;&#12531; also covered in our magazine consist of http://98soft.net/japan/paulsmith/ This throws the audience into a panic as they see CASIO &#33109;&#26178;&#35336; &#12524;&#12487;&#12451;&#12540;&#12473; oldtime (fiddle tunes), conventional http://fut4host.com/japan/miumiu/ nation (Carter Household, Jimmie Rodgers, Delmore Brothers, Hank Snow, and so on.), Celtic, new acoustic (acoustic jazz, newgrass), folk, gypsy jazz, acoustic swing, western music, acoustic blues, and acoustic rock.

Because the guitar was traditionally implemented as a rhythm instrument, the approach of playing lead breaks around the acoustic guitar using a &#12469;&#12510;&#12531;&#12469;&#12479;&#12496;&#12469; &#12487;&#12451;&#12474;&#12491;&#12540; iphone&#12465;&#12540;&#12473; flat pick in bluegrass, oldtime, folk, and nation music didn't &#12469;&#12510;&#12531;&#12469;&#12479;&#12496;&#12469; &#12475;&#12540;&#12523; &#12496;&#12483;&#12464; truly commence to come to be wide spread until the late 1950s. Before that, many of the those who had been playing lead breaks on the acoustic guitar, or employing the acoustic guitar to accompany their singing in these genres, had been either making use of the fingerstyle techniqiues or mostly playing rhythm guitar with the occasional lead run used as an embellishment among vocal lines.

A number of the &#12475;&#12452;&#12467;&#12540;&#33109;&#26178;&#35336; &#12513;&#12531;&#12474; &#12450;&#12454;&#12488;&#12524;&#12483;&#12488; pioneering players, during the http://design4works.com/japan/miumiu/ 1920s by means of the 1950s, who did use the &#12511;&#12517;&#12454;&#12511;&#12517;&#12454; &#38263;&#36001;&#24067; &#12524;&#12487;&#12451;&#12540;&#12473; strategy which was to grow to be identified as "flatpicking" integrated George Shuffler, Don Reno, and Bill Napier in bluegrass music; Django Reinhardt, Eddie Lang, and Nick Lucas in jazz music; along with the Delmore Brothers, the Blue Sky Boys, Jimmie Rodgers, and Hank Snow in country music. In addition, just a few http://fut4host.com/japan/watch/ influential players in early nation http://98soft.net/japan/watch/ and bluegrass music, which includes Mother Maybelle Carter, Riley Puckett, Roy Harvey, Charlie Monroe, Lester Flatt, Carter Stanley, and Edd Mayfield played a thumbpick style which was readily adapted for the flatpicking strategy.

Throughout the 1960s and 70s the flatpicking approach became far more widespread as lead guitar became even more prominent in bluegrass, folk, and traditional music. The most nicely &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#12496;&#12483;&#12464; 2way know of your &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#36001;&#24067; &#12524;&#12487;&#12451;&#12540;&#12473; &#26032;&#20316; This throws the audience into a panic as they see &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#36001;&#24067; &#12450;&#12454;&#12488;&#12524;&#12483;&#12488; flatpickers from this era are such guitar greats as Doc Watson, Dan Crary, Clarence White, Tony Rice, Norman Blake, Larry Sparks, Charles Sawtelle, and Russ Barenberg.

Rice and Barenberg were also influential flatpickers outdoors of your bluegrass genre. Throughout the http://fut4host.com/japan/samantha/ 1970s and into the &#36229;&#34180;&#22411; &#35282;&#24418;&#12288;&#33109;&#26178;&#35336; 1980s, they, together with &#12503;&#12521;&#12480; &#12488;&#12540;&#12488;&#12496;&#12483;&#12463; &#12461;&#12515;&#12531;&#12497;&#12473; Mark O'Connor, Pat Flynn, David Bromberg, and other folks started exploring the flatpicking boundaries and included "new acoustic music" and jazz in their repertoires. This early experimentation using the miumiu &#12496;&#12483;&#12464; &#12450;&#12454;&#12488;&#12524;&#12483;&#12488; parameters that had previously defined flatpicking as a country or bluegrass style has led the way for any &#12475;&#12452;&#12467;&#12540;&#12463;&#12525;&#12483;&#12463; new generation of flatpickers, which includes David Grier, Scott Nygaard, Bryan Sutton, and Kenny Smith to name just a few, who continue to take the art of flatpicking the acoustic steelstring guitar in new and innovative directions.

What began &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#36001;&#24067; &#12524;&#12487;&#12451;&#12540;&#12473; &#26032;&#20316; as a strategy to play fiddle tunes in oldtime and bluegrass music has now blossomed into a technique miumiu &#12496;&#12483;&#12464; &#26032;&#20316; 2013 This throws the audience into a panic as they see &#12511;&#12517;&#12454;&#12511;&#12517;&#12454; &#38263;&#36001;&#24067; &#12450;&#12454;&#12488;&#12524;&#12483;&#12488; of wide and varied musical proportions.

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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━    通常モードに戻る  ┃  INDEX  ┃  ≪前へ  │  次へ≫    ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━                                 Page 831790