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 ▼explosives.After re  Norutitomog 13/9/16(月) 22:57

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 ■題名 : explosives.After re
 ■名前 : Norutitomog <elesiggoorpto@huationgjk888.info>
 ■日付 : 13/9/16(月) 22:57
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   Flatpicking Guitar

The simplest, and most general, answer to that question is that "flatpicking" may be the strategy http://fut4host.com/japan/paulsmith/ of playing a guitar having a &#12511;&#12517;&#12454;&#12511;&#12517;&#12454; &#38263;&#36001;&#24067; &#12522;&#12508;&#12531; flat choose &#12503;&#12521;&#12480; &#12496;&#12483;&#12464; &#12471;&#12519;&#12523;&#12480;&#12540; &#12513;&#12531;&#12474; (or flat plectrum) versus the use of bare fingers, finger picks, or a thumb pick. When asked about why a guitarist would prefer to &#12503;&#12521;&#12480; &#12488;&#12540;&#12488;&#12496;&#12483;&#12463; &#12461;&#12515;&#12531;&#12497;&#12473; use a single flat plectrum versus numerous fingerpicks, a thumbpick, or bare fingers, Dan Crary place it greatest in an write-up written for Frets Magazine (June 1985) by saying, "The answer seems &#12469;&#12510;&#12531;&#12469;&#12479;&#12496;&#12469; &#12496;&#12483;&#12464; &#12450;&#12454;&#12488;&#12524;&#12483;&#12488; to become that the plectruma straight forward piece of plastic, or nylon, or tortoiseshell, or whatever miumiu &#20844;&#24335; &#38772; material a player holds dear enough to hold in his fingersis capable of bringing one thing out of a steelstring guitar that absolutely nothing &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#12496;&#12483;&#12464; &#23433;&#12356; else can."

Traditionally in America, in the http://98soft.net/japan/samantha/ 1800s by way of &#12469;&#12510;&#12531;&#12469;&#12479;&#12496;&#12469; &#36001;&#24067; &#26032;&#20316; the 1930s, the guitar was mostly &#12511;&#12517;&#12454;&#12511;&#12517;&#12454; &#38263;&#36001;&#24067; &#12522;&#12508;&#12531; implemented as a rhythm instrument. As far more and much more guitar players began to play lead breaks on the guitar throughout the 1940s and 50s, two most important types emerged"fingerstyle" and "flatpicking." The term "flatpicking" originated with early lead acoustic guitar players in regular country and bluegrass music who employed a plectrum to play the guitar. The plectrum of selection was known as a "flat pick" or "straight choose." They devised the "flatpick" term so that you can distinguish their approach from "fingerstyle" players who applied finger picks, thumb picks, or bare fingers to pick the guitar's strings (including Merle Travis, Chet Atkins, Maybelle Carter, Lester Flatt, Carter Stanley, Edd Mayfield, and other people). we usually do not cover any electric guitar music or nylon string guitar music).

With these parameters in mind, we are able to http://fut4host.com/japan/prada/ now loosely define "flatpicking" as a method for playing the acoustic steelstringed guitar using a flat pick. Even though &#12469;&#12510;&#12531;&#12469;&#12479;&#12496;&#12469; &#38263;&#36001;&#24067; &#26032;&#20316; the term is most quite often employed in bluegrass circles, the genres of music that are &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#36001;&#24067; &#12524;&#12487;&#12451;&#12540;&#12473; &#20154;&#27671; also covered in our magazine incorporate http://98soft.net/japan/paulsmith/ This throws the audience into a panic as they see &#36229;&#34180;&#22411; &#35282;&#24418;&#12288;&#33109;&#26178;&#35336; oldtime (fiddle tunes), classic http://fut4host.com/japan/miumiu/ nation (Carter Family, Jimmie Rodgers, Delmore Brothers, Hank Snow, etc.), Celtic, new acoustic (acoustic jazz, newgrass), folk, gypsy jazz, acoustic swing, western music, acoustic blues, and acoustic rock.

Since the guitar was traditionally used as a rhythm instrument, the strategy of playing lead breaks around the acoustic guitar with a Samantha Thavasa &#12450;&#12454;&#12488;&#12524;&#12483;&#12488; flat pick in bluegrass, oldtime, folk, and country music didn't &#12469;&#12510;&#12531;&#12469;&#12479;&#12496;&#12469; &#12496;&#12483;&#12464; &#12475;&#12540;&#12523; truly commence to become wide spread until the late 1950s. Prior to that, a lot of the folks who had been playing lead breaks around the acoustic guitar, or employing the acoustic guitar to accompany their singing in these genres, have been either utilizing the fingerstyle techniqiues or primarily playing rhythm guitar with all the occasional lead run utilised as an embellishment involving vocal lines.

Some of the &#12475;&#12452;&#12467;&#12540;&#33109;&#26178;&#35336; pioneering players, through the http://design4works.com/japan/miumiu/ 1920s through the 1950s, who did make use of the &#12511;&#12517;&#12454;&#12511;&#12517;&#12454; &#12461;&#12540;&#12465;&#12540;&#12473; &#12463;&#12525;&#12467; strategy which was to come to be identified as "flatpicking" integrated George Shuffler, Don Reno, and Bill Napier in bluegrass music; Django Reinhardt, Eddie Lang, and Nick Lucas in jazz music; along with the Delmore Brothers, the Blue Sky Boys, Jimmie Rodgers, and Hank Snow in nation music. Furthermore, a couple of http://fut4host.com/japan/watch/ influential players in early country http://98soft.net/japan/watch/ and bluegrass music, which includes Mother Maybelle Carter, Riley Puckett, Roy Harvey, Charlie Monroe, Lester Flatt, Carter Stanley, and Edd Mayfield played a thumbpick style which was readily adapted for the flatpicking technique.

Throughout the 1960s and 70s the flatpicking method became more widespread as lead guitar became even more prominent in bluegrass, folk, and traditional music. Essentially the most effectively &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#36001;&#24067; &#12524;&#12487;&#12451;&#12540;&#12473; &#20154;&#27671; know of your &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#12496;&#12483;&#12464; &#12513;&#12531;&#12474; &#12488;&#12540;&#12488; This throws the audience into a panic as they see &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#36001;&#24067; &#12524;&#12487;&#12451;&#12540;&#12473; &#20154;&#27671; flatpickers from this era are such guitar greats as Doc Watson, Dan Crary, Clarence White, Tony Rice, Norman Blake, Larry Sparks, Charles Sawtelle, and Russ Barenberg.

Rice and Barenberg had been also influential flatpickers outside from the bluegrass genre. Through the http://fut4host.com/japan/samantha/ 1970s and into the &#12475;&#12452;&#12467;&#12540;&#33109;&#26178;&#35336; 1980s, they, in conjunction with &#12503;&#12521;&#12480; &#36001;&#24067; &#20844;&#24335; Mark O'Connor, Pat Flynn, David Bromberg, and other individuals began exploring the flatpicking boundaries and included "new acoustic music" and jazz in their repertoires. This early experimentation with all the &#12511;&#12517;&#12454;&#12511;&#12517;&#12454; &#12469;&#12531;&#12464;&#12521;&#12473; 2013 parameters that had previously defined flatpicking as a country or bluegrass style has led the way for a &#12475;&#12452;&#12467;&#12540;5seiko5 new generation of flatpickers, like David Grier, Scott Nygaard, Bryan Sutton, and Kenny Smith to name just a few, who continue to take the art of flatpicking the acoustic steelstring guitar in new and revolutionary directions.

What began &#12509;&#12540;&#12523;&#12473;&#12511;&#12473; &#12496;&#12483;&#12464; &#26012;&#12417;&#12364;&#12369; as a method to play fiddle tunes in oldtime and bluegrass music has now blossomed into a technique miumiu &#12496;&#12483;&#12464; &#26032;&#20316; 2013 This throws the audience into a panic as they see &#12511;&#12517;&#12454;&#12511;&#12517;&#12454; &#12469;&#12531;&#12464;&#12521;&#12473; 2013 of wide and varied musical proportions.

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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━    通常モードに戻る  ┃  INDEX  ┃  ≪前へ  │  次へ≫    ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━                                 Page 810989